Julie Méalin is a new media producer, a multidisciplinary artist and communications strategist.
Over ten years ago she studied Contemporary Arts in Paris VIII (France), Communications
in Montreal (Canada), and stage design and new medias at the Staatliche Hochschüle fur Gestaltung
(HfG, Karlsruhe, Germany).

Since then she has been developing projects in these fields both in Asia, Europe and North America.
nesthetik AT g m a i l . com

Artist in residency at Recombinant Media Labs of San Francisco. Performance in their surround sound and visual theater. Creation of a 10 video screens environment where her alter ego Li Alin sang and performed for the launching of "All in" record.

Communication coordinator at La Chapelle Theater (Montréal, Canada)

Artist in residency at Society for Arts and Technologies to develop a new version of Eugenie, virtual sperm bank on the internet made originaly in 1996 with the support of the Canadian Council for the Art , the Culture Canadian Center in Paris and SAT

Consultant for Recombinant Media Labs. Curently working on establishing RML as a nomadic plateform for immersive media as well as a permanent laboratory.

Production manager for R111 an interactive installation from the artist Michael Saup.
The piece was exhibit in Paris, Karlsruhe, Tokyo and Frameries.

Guest artist at Cinegrid, an interdisciplinary community focused on the research, development and demonstration of networked collaborative tools in the new media world. (San Diego California).

Program coordinator at Society for Arts and Technologies (Montreal, Canada)

Communication agent for the permanent and temporary exhibitions at the Zentrum für Kunst und Medientechnologie (Karlsruhe, Germany).

Co-founder and production director of FER a Festival of Robotic Experiences. Some of the guests included: Louis-Philippe Demers, Robotlab, Gérard Boyer, Annie Niemetz, Bernhard Bredehorn and Maurice G. Dantec at Le Parc d'Aventures Scientifique (Frameries, Belgium)

Creation of "les verbo-moteurs" at the Festival of Robotic Experiences in collaboration with Annie Niemetz at Le Parc d'Aventures Scientifique (Frameries, Belgium)

Production manager of a conference for the occasion of
the State visit of the General Gouvernor
of Canada Mrs. Adrienne Clarkson at the Museum Ludwig in Cologne

Theme: Artistic creativity and the impact of new technologies.

Creation of Babel; an interactive talking module for the evening Digital Massacre at the ZKM
(Karlsruhe, Germany)

Production manager for L'Assemblée a robotic installation by Louis-Philippe Demers. The piece was
exhibit in Paris, Montreal, Karlsruhe and Frameries.

Production manager of ES, Das Wesen Der Machine at the European Media Art Festival. European premiere for this exhibition by the artistic duo Louis-Philippe Demers and Bill Vorn. The mechanical menagerie of the Canadians transforms motion, sound and colour reflexes into an experience ranging between art and spectacle.

Member of the International committee for ISEA 2000
(Paris, France)
Under the theme of "Revelation", ISEA2000 explored the effects of the technological revolution on art and its impact on society through new forms of representation such as digital imaging, multimedia, the virtuality, interactive installations and networks.

Program assistant in the short and medium feature film section of the Festival of new cinema and new media (Montreal, Canada)